• New
    • Bard, Kinetic
    • The Basketball Article
    • become a midnight star
    • Black Lodge
    • Blood Moon
    • Evening of the Day
    • Interview by Kasper Bech Dyg for the Louisiana Literature festival in Humlebæk, Denmark
    • New Weathers: Poetics from the Naropa Archive
    • Poems in Silk artist collaboration installation
    • Poesía en la niebla | Poetry in the mist
    • A Punch in the Gut of a Star
    • RIZOMA: Poetry & Performance Workshops at Santiaguito de Almoloya Women’s Prison
    • Sanctuary
    • Sciamachy
    • Songs of the Sons and Daughters of Buddha
    • Stepping Back
  • About
    • Contact
  • Publications
    • Books & Pamphlets
      • Archives, pour un monde menacé
      • Aubaderrying
      • Bard, Kinetic
      • Beat Roots
      • become a midnight star
      • Countires
      • Dark Arcana / Afterimage or Glow
      • Extinction Aria
      • Fast Speaking Woman, 20th Anniversary
      • First Baby Poems
      • Giant Night
      • Gossamurmur
      • Helping the Dreamer
      • Homage to Allen G
      • In the Room of Never Grieve
      • Iovis: All is Full of Jove
      • The Iovis Trilogy
      • Jaguar Harmonics
      • Journals and Dreams
      • Kill or Cure
      • Life Notes
      • Makeup On Empty Space
      • Manatee / Humanity
      • Marriage: A Sentence
      • Mundo Aparte / Offworld
      • Nine Nights Meditation
      • Outrider
      • Red Noir
      • The Romance Thing
      • Sanctuary
      • Skin Meat Bones
      • Soldateque / Soldiering
      • Structure of the World Compared to a Bubble
      • [Things] Seen / Unseen
      • Trickster Feminism
      • Troubairitz
      • Voice’s Daughter of a Heart Yet To Be Born
      • Vow to Poetry
    • Poetry Collaborations
      • The Basketball Article
      • The Belladonna Elders Series
      • Blood Moon
      • Empty Set: a Universe of Discourse
      • Fantastic Caryatids
      • Fleuve Flâneur
      • Fukushima Mon Amour
      • Memorial Day
      • A Punch in the Gut of a Star
      • Songs of the Sons and Daughters of Buddha
      • Young Manhattan
    • As Editor
      • The Angel Hair Anthology
      • The Beat Book
      • Beats at Naropa
      • Civil Disobediences
      • Cross Worlds
      • Disembodied Poetics
      • New Weathers: Poetics from the Naropa Archive
      • Nice to See You: Homage to Ted Berrigan
      • Talking Poetics from Naropa Institute
    • On Anne Waldman
      • Anne Waldman: Keeping The World Safe For Poetry
    • Complete Bibliography
  • Multimedia
    • Black Lodge
    • Audio
      • Readings & Performances
      • Lectures, Classes, Workshops, & Interviews
      • Recorded Albums
        • Akilah
        • Alchemical Elegy
        • Battery
        • By the Side of the Road
        • Comes Through in the Call Hold
        • The Eye of the Falcon
        • Ghost Dance
        • Harry’s House, Volume 1
        • Harry’s House, Volume 2
        • Harry’s House, Volume 3
        • Harry’s House Archive
        • In the Room of Never Grieve
        • Jaguar Harmonics
        • Matching Half
        • The Milk of Universal Kindness
        • Oasis at Biskra
        • Plutonian Ode
        • Sciamachy
        • Soft Machine Sutra
      • Fast Speaking Music
    • Video
      • Readings & Performances
        • Readings & Performances (2023)
        • Readings & Performances (2021)
        • Readings & Performances (2016 – 2020)
        • Readings & Performances (2010 – 2015)
        • Readings & Performances (2000 – 2009)
        • Readings & Performances (1970 – 1999)
      • Interviews
      • Lectures & Panel Discussions
      • Movies
        • Evening of the Day
        • Soldateque / Soldiering
      • Documentary: OUTRIDER
      • Poesía en la niebla | Poetry in the mist
      • Stepping Back
    • Photographs
    • Artwork
    • Written Interviews, Commentary, & News
    • Fast Speaking Music
    • PennSound
  • Events
  • Awards
  • Links
Logo

“Unscripted” interview by Alan Flurry at the Lucy Cobb House in Athens, Georgia, 2013.

March 19, 2013
· 0
Posted in Interviews
Prev Next
All content © Anne Waldman, unless otherwise cited.